technorati tags:art, aesthetics, cartoons
technorati tags:Philosophy, Morality, ethics, apathy
So often it's in cities, where the most people are, that you get a great sense of isolation. Lilfe seems to be full of oxymorons. Empty side streets and litter covered footpaths lit by neon signs: but no one around....
technorati tags:photography, aesthetics, art, sydney
People say the camera cannot lie. I say it cannot speak truth. All is filtered under the necessary conditions of what we want to see. This is the job of a photographer: to interpret and proclaim, performatively.
I see it as this and then so it is this...
technorati tags:Art, Aesthetics, photography, philosophy, sydney
I'd lilke to do a Lacanian analysis of this. But not today. I have to clean my mirrors...
technorati tags:sex, art, lacan, psychoanalysis, aesthetics
Not that I'm interested in psychonalytic interpretations of art or anything....
technorati tags:art, aesthetics, cartoons, angst
You get the picture (well, an electronic facsimile)...
technorati tags:Art, Cartoon, Anxiety, Aesthetics
Some more drawings of mine. These were all dont in Photoshop, incidentally.
technorati tags:Art, Aesthetics, Morality
I was looking at Jacques Derrida's deconstructed idea he calls "invagination" and wondering how to react to that in an abstract image.
Think of invagination as the folding space between two complimentary systems: the interaction is not simple but keeps folding back on itself in a way that is and isn't. A bit like the crack in the centre of a book which is there by virtue only of the pages around it, but which also inflects on those pages.
I decied to use Photoshop. I used only two colours in each image, and just a large brush. But I set the brush to "difference" mode; which means that where you paint over a colour, you don't get the colour of the brush you are using, instead you get the difference between it and the colour that happens to be already on that part of the image.
Repeating this many times meant that the "seam" in these images became more and more complex.
Invaginations I, II, III
These "virtual" sculptures were made by looking at different states of an object as it changed through time. A cloth fell and I took "snapshots" of it at different times. Converted them into chrome, because after I combined them, they'd refelct each other in unpredicably complex ways.
The 19-20th century philsopher Henri Bergson highlighted the fact that out present state and the future states that we will become inflected by "memories" of our past states. We are constantly becoming the past: the past is more real than the present.
technorati tags:Art, Sculpture, Aesthetics, Philosophy, Bergson, 3DS Max
I submetted these to the editors of the indie art mag Neomu.
They said they loved them, but din't publish them.
One thing: the fashion of what was published was definitely "softer".
Is all this trendy, sad, cartoony art that you see around tinged a bit with sentimentality?
Portrait of My Mum
What Me and K Used to Do
Emotion in art? of course! But why and how? I mean, how can humour in art lead to somethign deeper? Think about Kant: he says, sagely, that art has to include a "purposiveness without a purpose". It has to have a purpose, yet not have one at the same time.
Crazy huh? But many people since have agreed, and a whole swathe of Continental thinkin gsince has relied heavily on "antinomies" or oxymorons.
There's a "gap" between purposfulness and purpose, and art fits uncannily within. Lacan couldn never have discovered his formulation of the Gaze without this kind of thinking.
Humour in art amplifies the gap, catches us unawares, makes us suddenly this uncanny gaze. Slips us up.
Yet too often artists dicount humour.
Here are a couple of drawings I did a while back. One ended up on the front cover of Australia's oldest literary journal. Hey, I think I managed to get the first ever erect penis there!
technorati tags:humour, black-humour, graphics, art, penis